Landed Sentries: A Review of Rian Johnson’s Knives Out
“Knives Out” is a restless, giggling little animal that says much, much, much more than you expect in a modern American picture.
Sounding, Resounding: A Review of The Report
Adam Driver plays fierce intelligence in Scott Z. Burns’ taut, actor-packed political thriller.
Time After Time: A Review Of The Irishman
A friend walks up to you, a friend walks away from you, in the middle, that friend has put two bullets in the back of you.
First Desire: A Review Of Almodóvar’s Pain And Glory
Almodóvar pleads allegory in bittersweet meditation on art and desire.
Speed, Too: A Review of Ford v Ferrari
We will wrack you: James Mangold’s torqued entertainment is grippingly good.
Frightened on the Streets: A Review Of Mr. Klein
Oppressors await in the everyday of the streets of 1940s Paris in Joseph Losey’s rich, if grim drama.
Again, Again, Always: A Review Of “Three Times” Revived in 35mm
Hou Hsiao-hsien works wistful magic in three stories played by the same pair of actors.
Edifice Is Your Father: Seeing Movies In The Material World
Movies last in memory, you hope, but do you recall the frame you put around the frame when you watch a picture?
“Only Two Guys to a Fight”: Fight Club At Twenty
“How do you see it as nihilism?” Brad Pitt says to Edward Norton. “I never saw it as nihilism.”
Film Top 5: November 2019
New films (and a few classics) to watch in November.
