The funniest confession from director Roger Spottiswoode (“Under Fire,” “Tomorrow Never Dies,” “Shake Hands With The Devil”) in a recent conversation about his career was about Chow Yun Fat, a co-star of this period epic about a crusade to save children during Japan’s invasion of China in the late 1930s: there were times he had to tell Chow, who shows up intermittently as a resistance fighter, even when he was in the deep background of a shot, not to smoke so charismatically. While not stodgy, “The Children of Huang Shi” is an old-fashioned melodrama, where gestures and postures and epic landscapes (shot with gorgeous sweep by Zhao Xiaoding, of “House of Flying Daggers,” “Curse of the Golden Flower”) carry the story rather than the script. Jonathan Rhys Meyers is the English war journalist who finds a mission in saving sixty orphans and Radha Mitchell (who might more fruitfully be paired against Chow, sharing as she does the same sort of movie-intense level gaze). The East bests West. With Michelle Yeoh. 125m. (Ray Pride)
Talking Screens: “We are the children of Marx and Coca-Cola” | "Aaron Sorkin’s not a right-winger" Talking Screens: A Week In Chicago Film, April 23-29, 2021 Victor Kossakovsky welcomes us to sow business in his wondrous, wordless black-and-white life of a brood of pigs in "Gunda"; "Mortal Kombat" is back, as if it ever went anywhere; Adam McKay considers whether Aaron Sorkin is a right-winger in comparison to him but comes out on top as producer…
Talking Screens, March 24-30, 2023: Deborah Stratman's "Last Things" | Revisiting Speed Racer, Annihilation, Children Of Men, and… THIS WEEK: "Holy Trinity" at FACETS; "Speed Racer" at Alamo Drafthouse; "The Godfather," "Children of Men," "Jeanne Dielman," "Videodrome" at Doc; "Superman: The Movie," "Dracula," "Annihilation," and Chicago European Union Film Festival at Siskel; "The Bling Ring," "The Shining," and Fred Halsted's "The Sex Garage" and "L.A. Plays Itself" at Music Box; and Deborah Stratman's "Last Things" opens the Onion City…
Heart: A Review of Soul The real world is soulful, too, in Pixar's bountiful life of the mind.
Seeing The Elephant: A Review Of Babylon The boisterous, brawling yet melancholy "Babylon," is a variation on film history, but more drawing for drama. It's gaudy and mean, celebratory and sorrowful.
