Tom Quinn’s genial, four-years-in-the-making “The New Year Parade,” winner of a Slamdance jury prize, is a study of the effects of divorce on the members of one South Philadelphia family across the course of a single year. Set in the world of Mummers, or competitive marching bands, Quinn’s great stroke beyond marshaling the time scheme of the film is getting the motions (and emotion) of hundreds of musicians on screen in such lucid fashion. The seemingly improvised performances have a sweet, ragged edge, and the music swells. Nothing musical on film has touched me the way the first viewing of “Once” did, but “The New Year Parade” is a song in the heart. With Greg Lyons, Jennifer Welsh, Andrew Conway, MaryAnn McDonald, Irene Longshore, Tobias Segal, Paul Blackway, The South Philadelphia String Band. 90m. (Ray Pride)
Ray Pride is Newcity’s film critic and a contributing editor to Filmmaker magazine.
His multimedia history of Chicago “Ghost Signs” will be published soon. Previews of the project are on Twitter and on Instagram as Ghost Signs Chicago. More photography on Instagram.
Talking Screens, December 16-22, 2022: "All The Beauty and The Bloodshed" is One of the Year's Finest | "Bardo" is a Small Story Told on an… "Avatar: The Way of Water," "All The Beauty and The Bloodshed," "The Volcano: Rescue From Whakaari" and "Bardo." PLUS: Bresson's "Au Hasard Balthazar," Andersson's "About Endlessless"; FACETS' "Holiday Detour" series; Chicago filmmaker-in-residence Daniel Nearing's "Sister Carrie" with an orchestra at Siskel; "The Thirty-Ninth Christmas Sing-A-Long & Double Feature" at the Music Box and Music Box Of Horrors and Shudder pull…
RECOMMENDED
