“War Don Don”: what is it good for? The translation of the title of Rebecca Richman Cohen’s prismatic cinéma vérité documentary from its local language is “War is over”: a phrase that means less cessation of warfare than the advent of fraught peace: the time where justice may begin but, more likely, confusion begins. Given access to all sides of a war-crimes case over genocide, Cohen arrives at a stalemate more human, more the function of governments and systems than tidy. The real world is unruly. Justice is complex. In the case of Issa Sesay, brought to trial at the Special Court for Sierra Leone in central Freetown for the deadly events of the 1990s, the court asks, Champion for freedom and peacemaker? Or war criminal against the other side? We have to weigh the issues; no voiceover guides us in Cohen’s telling. The questions weigh brutally. Answers? Answers? 80m. (Ray Pride)
“War Don Don” returns to Facets for a week Friday.
Overlapping Lives: A Review Of "Eight Hours Don’t Make A Day" The joy of a masterpiece, once lost, now found, is rare joy. And Fassbinder’s elemental craft: good lord, will anyone ever be this good with the framing of space, the blocking of action, the movement of bodies?
No Island: A Review of Woman At War A secret life to salve the world: an action comedy about a fifty-year-old Icelandic choir leader committing eco-sabotage.
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