(Szabadság, Szerelem) The Hollywood touch leaves marks on the entertainingly bombastic “Children of Glory,” centering on the heated water polo match between Russia and Hungary during the 1956 Melbourne Olympics as the Soviets were smashing the Hungarian Revolution on the other side of the world in Budapest. The first Hungarian-language film written by pulp-fist screenwriter Joe Eszterhas (“Showgirls,” “Basic Instinct,””An Alan Smithee Film: Burn Hollywood Burn”) and machine-tooled producer Andrew G. Vajna (“Total Recall,” “Evita,” “Angel Heart”), it has more than its share of U.S.-style uplift and proves that narrative naiveté, can, sometimes take you so far. Locations provide a note of historical authenticity otherwise disregarded. The script was co-written by local scribes Eva Gárdos, Geza Beremenyi and Reka Divinyi. With Kata Dobó, Iván Fenyö, Sándor Csányi, Károly Gesztesi, Ildikó Bánsági, Tamás Jordán, Viktória Szávai, Zsolt Huszár, Tamás Keresztes, Péter Haumann. 120m. (Ray Pride)
Ray Pride is Newcity’s film critic and a contributing editor to Filmmaker magazine.
His multimedia history of Chicago “Ghost Signs” will be published soon. Previews of the project are on Twitter and on Instagram as Ghost Signs Chicago. More photography on Instagram.
Talking Screens: “We are the children of Marx and Coca-Cola” | "Aaron Sorkin’s not a right-winger" Talking Screens: A Week In Chicago Film, April 23-29, 2021 Victor Kossakovsky welcomes us to sow business in his wondrous, wordless black-and-white life of a brood of pigs in "Gunda"; "Mortal Kombat" is back, as if it ever went anywhere; Adam McKay considers whether Aaron Sorkin is a right-winger in comparison to him but comes out on top as producer…
RECOMMENDED
