“I didn’t know they had a disco here.” “I’m the disco.”
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Stylish sardonic northern European miserabilism of a pleasing if lowwww-key order is much in display in Tomasz Thomson’s “Snowman’s Land” (2010), a grumpy assassin-on-the-run tale that snappily moves from city to snowbound neverwhere. The writer-director’s smartly shot deadpan and genial disorientation recalls a multiple of movie predecessors, including “Pulp Fiction,” with which the film shares one very dangerous device. And all that beautiful snow! Too bad about the blood. And the waiting. And the waiting. And more blood. Aki Kaurismäki, Jim Jarmusch, Quentin Tarantino: your signed copies are in the post. With Jürgen Rißmann, Thomas Wodianka, Reiner Schöne, Eva-Katrin Hermann. 89m. (Ray Pride)
“Snowman’s Land” opens Friday at the Music Box. The trailer is below.
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Talking Screens: A Week in Chicago Film, February 12-18, 2021 OPENERS The delay of the Oscars until April 25 was one of many changes in the movie industry in the past year; movies released in the U. S. through February 28 are deemed eligible if there was an intention to have released them theatrically. The standard-bearers opening this week include Shaka King's sleek Chicago-set marvel, "Judas & The Black Messiah,"…
