“Meet the Mormons” resembles a standard shot-on-digital documentary, composed as it is of images and sounds, and of talking heads that are also smiling heads. But it’s actually an often-cryptic document about the lives of six members of the Church of Jesus Christ of Latter-day Saints, and even could be taken for a television documentary except at the moments that it resembles a random mass of impulses. Nearly nothing in Blair Treu’s kindly public-relations film illuminates the practices or beliefs of the church, except for a will to goodness and success, and small, seemingly telling details go unremarked: for instance, the “scripture case” carried by several characters, containing the holy books of the faith; or the odd image of a Bishop of the Church at home who consults a near-disposable paperback edition of the Book of Mormon you’d find in the side table of a Marriott motel room rather than a finer copy of great personal worth. The figures include the Naval Academy’s head football coach, who’s Samoan-American, a Costa Rican kickboxer who married into a Mormon family, an engineer in Nepal, and “The Candy Bomber,” an old white guy who threw candy to the children of Berlin, without military approval, from an American plane after the fall of Germany. (He’s a prototypical old white guy, unrelentingly cheery while chewing the same story he’s been chewing for decades.) The few modestly interesting points are odd bits of behavior, including the comments, “That’s what he brought to the table, him being different”; “My dad dances very goofily” and a figure who compares the lack of a leg to being born biracial out of wedlock. There’s no way this upbeat, information-free hodgepodge could function as a sales pitch for the religion. While reportedly produced by the Church as an infomercial to be shown at a Mormon visitors’ center in Salt Lake City, the 200-plus screen nationwide release of “Meet the Mormons” will likely go unremarked, unless by Mormons interested in a multicultural, multiracial portrait of their faith, or if you might bring along a favored ex-Mormon to provide necessary footnotes to what differentiates Mormonism from other beliefs. With Jermaine Sullivan, Ken Niumatalolo, Carolina Munoz Marin, Gail Halvorsen, Bishnu Adhikari. 78m. (Ray Pride)
“Meet the Mormons” opens Friday, October 10 at several outlying locations. The trailer is below.
Ray Pride is Newcity’s film critic and a contributing editor to Filmmaker magazine.
His multimedia history of Chicago “Ghost Signs” will be published soon. Previews of the project are on Twitter and on Instagram as Ghost Signs Chicago. More photography on Instagram.
Meet The Fabelmans: A Review Of Spielberg’s Iliad On a journey from blinding light to a kindly cyclops, Steven Spielberg simplifies his own early life in "The Fabelmans," in gestures as brisk as the flick of a wrist.
Seeing The Elephant: A Review Of Babylon The boisterous, brawling yet melancholy "Babylon," is a variation on film history, but more drawing for drama. It's gaudy and mean, celebratory and sorrowful.
Heart: A Review of Soul The real world is soulful, too, in Pixar's bountiful life of the mind.
Heart of Darkness: A Review of The Batman The three-hour film noir unfolds briskly, an intensive study in the pervasive interplay of power, money and corruption in what seems like perpetual rainy night.
Uncanny Ally: A Review Of M3GAN "M3GAN" sells itself in its first handful of seconds in how it introduces the handiwork of roboticist Gemma (Allison Williams, "Get Out") and her present product, PurrPetual Petz from Funki.
