Iain Forsyth and Jane Pollard’s “20,000 Days On Earth,” is stellar, a rich, luxuriant, calibrated auto-portrait of Nick Cave, not quite fact, not quite fiction, told as if it were taking place in a single day, in words, music, a first-time psychotherapy session, and personal hallucinations with former musical partners Kylie Minogue and Blixa Bargeld in his car as he drives alongside the sea near his Brighton, England home. It sounds like so much attenuated tosh, but this bold, unique gem is bright, funny, brooding, hopeful, momentarily visionary, a wounded beauty exploring the creative process in a fresh and oft-brilliant fashion. Plus! As you’d expect, Nick Cave sings, and with at least one children’s choir, to boot. 98m. (Ray Pride)
“20,000 Days on Earth” opens Friday, October 17 at Facets. The trailer is below.
Ray Pride is Newcity’s film critic and a contributing editor to Filmmaker magazine.
His multimedia history of Chicago “Ghost Signs” will be published soon. Previews of the project are on Twitter and on Instagram as Ghost Signs Chicago. More photography on Instagram.
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