Shot in a forgiving high-contrast black-and-white, Michael Glover Smith’s day-in-the-Chicago-life romance has the flick-of-the-wrist directness of city locations—streets and storefronts, recognizable sorts of apartments and back porches, the El and bookstores, Formica-table cafes—but also hopeful investment in conversational cul-de-sacs, the kind of “tension-filled banter” of classical local improv. Nineteenth-century literature does battle with distracted females; a bookstore clerk who brags on not having a computer plots contemporary writing. I’ve seen worse arguments and overheard even worse, and I’d hardly like to be stuck in a room or around a dinner table with any of the quartet of protagonists, but they’d probably say the same about bickering I’ve been a part of. There’s truth in the underbrush. Plus, profanity is genially fucking rife. With Kevin Wehby, Nina Ganet, Chelsea David, Adam Overberg. 71m. (Ray Pride)
“Cool Apocalypse” plays November 21-22 at Siskel. .
Film Top 5: September 2020 Charlie Kaufman thinks, once more, as always, of ending it all; whimsitician Miranda July returns; Chicago Latino Film Festival goes virtual; Gerard Butler may or may not save the planet from a comet; and "Tenet" promises to time-invert over Labor Day in non-pandemic hotspot localities.
Film Top 5: February 2020 Siskel marks its thirtieth year of films from Iran; blasts from the past from Otto Preminger, Brian De Palma, Anthony Mann and Rudy Ray Moore.
[…] – Ray Pride reviewed us — and made us a “Recommended” screening — at Newcity Chicago. […]