Digital Restoration

by Ray Pride | March 10, 2023

Sharp-Dressed Man: A Review Of Orson Welles’ Restored The Trial

by Ray Pride | March 7, 2023

In The Time Machine: Repertory Filmgoing Rises Again

by Ray Pride | February 21, 2023

Time Bandit: Gaspar Noé on “Irreversible: Straight Cut”

by Ray Pride | November 8, 2022

Take The Gun, Leave The Clarinets: The Godfather Is Bigger (And Louder)

by Ray Pride | April 8, 2021

Talking Screens: Rohmer redux, a little bit Joker and why Godzilla vs. Kong conquers

by Ray Pride | December 17, 2020

Years Gone By: The Restored Films Of Wong Kar-wai

by Ray Pride | November 26, 2020

One Recommendation: December 2020

by Ray Pride | September 16, 2020

Text and Texture: Claire Denis’ Masterpiece, Beau Travail

by Ray Pride | September 3, 2020

Prints Charming: Chicago Film Archives Finds A Lost Silent

by Ray Pride | June 18, 2020

Seances Past: Chicago Exhibitors’ Last Movie On A Big Screen

SEPTEMBER 2023 ISSUE: ART 50 + FALL ARTS

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